Scores by genre
Original film scores by genre.
Genre sets the rules a score has to play by: what a horror cue can withhold, how much an action sequence can carry, where a drama needs silence. The reel is organised the same way, so you can hear each palette in context.
Horror and thriller film composer
Horror scoring lives in restraint and release: prepared strings, sub-bass, treated textures and long stretches where the music refuses to resolve. Thrillers ask for the same discipline with a pulse underneath. Work in this space includes UCK, a horror comedy feature, Lady in Red, a horror and mystery feature, and the horror films Intoxify and The Lacerated. For Devil in the Trunk, a horror feature, Jeffrey's credit is trailer score and sound mix.
Science fiction and fantasy scoring
Sci-fi and fantasy invite invented sound worlds, with synthesis folded into orchestra, layers, instruments processed until they belong to somewhere else. Credits include Tenkara, a science fiction drama short, Optum, a science fiction film, and The Apprentice, a science fiction fantasy Star Wars fan film. Starfish is a science fiction drama feature listed in pre-production.
Action and drama
Action cues are built for the edit: modular, percussive, and cut-proof when the sequence changes the day before the mix. Drama runs the other direction: piano, small ensemble, and space for the performance to breathe. Action credits include El Espectro, while Blood and Water is a spy thriller and 007 fan film. I Am Spaceman is a family adventure feature, and The Thornton Fiveis an adventure feature. Drama credits include the feature The Story of a Rockand the shorts All the Way Home and The Silent Sky.
Orchestral, hybrid, electronic and ambient
Every genre above can be realised as full orchestral writing, a hybrid orchestral and synth score, purely electronic production, or ambient texture. The palette is a conversation, not a house style, and Jeffrey will happily prepare a custom playlist from the catalogue that matches the reference you already have in mind.
Before we work together
Questions from filmmakers
Can I hear music that fits my film's tone?
Yes. The reel is organised by genre, and I can put together a custom playlist from the catalogue if you have a particular mood or reference in mind. Tell me a little about your film and the scenes you are thinking about.
Does the genre decide which instruments you use?
Not on its own. A drama might need an electronic texture, while a science fiction scene might work best with a small acoustic ensemble. The story and our conversations guide the palette, whether that means orchestra, synths, ambient textures, or a mix of them.